Senior Book Chat

February 7 2025

Our winter 2025 season opened with a lively discussion of A Man Called Ove by Fredrick Backman (2012), a novel about which a number of members shared strongly held opinions. One reader pointed out her disappointment—-not only in the novel but more importantly, its divergence from the stated original focus of our book group: the book is neither written by a woman nor focused on an old woman. When I admitted that members had recommended two few on-topic books for t this season, she reminded me that she submitted a lengthy list. She had been unaware that we only consider books a member has read (we diverged from this “rule” when we agreed, prior to its publication, to read Elizabeth Strout’s Tell Me Everything because we so loved her other books. 

Our resultant disappointment in Strout’s most recent novel coupled with a discussion regarding our shifting from our founding goals resulted in our determination to dip into that lengthy list of on-topic books prior to our next round of selections.

To that end, please send me your suggestions of books you discover that are written by women and focus on older women! You can see our list to note what we have read previously.

Now back to A Man Called Ove,originally published in Sweden In 2012  and then translated by Henning Koch and published in English in 2013. The novel was on the New York Times best seller llist for 42 weeks. It has been adapted for two films, one in Swedish and a second in English.

The story follows a miserable, grumpy, elderly man living alone on a suburban street. Bitter over and still grieving the loss of his wife, Ove, alone and misanthropic, is disillusioned with the modern world and determines to end his life.  Described by his neighbors as “the bitter neighbor from hell” he eventually strikes up a friendship with a boisterous young family who moves in next door. His pregnant neighbor Parveneh, keeps interrupting his solitary life with her daily challenges. As you may anticipate,these multiple interruptions eventually re-connect Ove with the joys of human connection. The plot is obvious from the beginning, and members either  found it boring and derivative or appreciated the ease with which the plot  structured reading and the promise of a feel good ending..

The Kirkus review notes: “The book opens helpfully with the following characterizations about its protagonist: ‘Ove is fifty nine. He drives a Saab. He’s the kind of man who points at people he doesn’t like the look of, as if they were burglars  and his forefinger a policeman’s torch.’ What the book takes its time revealing is that this dyed-inn-the-wool curmudgeon has a heart of solid gold.

We generally sympathized with Ove and the hardships he had endured since childhood: the loss of both his parents, his loss of a job for refusing to be a snitch, the loss of his house to fire,his unborn child, and finally the loss of his beloved wife, Sonja whose upbeat personality balanced his curmudgeonly take on life. Some of us attributed his attitudes to grief; others said he was born into the wrong time, and we agreed that as readers “of a certain age,” we shared some of his complaints about the ineptitude of ordinary people to make their own household repairs, to mend a bicycle, or to back up a vehicle. We applauded his integrity and disagreed some about whether he had a heart of gold or just a sense of responsibility

The general tone of many reviews and the views of many of our group align with this feel good take on the novel. However, some members of our group wholeheartedly disagreed, frustrated with how the novel removes his own responsibility for his emotional disconnection, and provides little reason for his wife to have loved him except a tired adage that she saw something underneath his surface lack of empathy or kindness.  The novel also leverages the stereotype of the repressed, isolated Swede enlivened by the warm, open woman of color and her “chaotic” energy. 

The discussion was lively, and we all agreed that in this exhausting moment, the sort of “gentle ease” of the novel made it an easy read. We agreed that we will continue to look for books by women that focus on “old ladies” as we had decided to do five years ago, when the group began.

Senior Book Chat December 2024

Remarkably Bright Creatures by Shelby Van Pelt (2022)

Shelby Van Pelt was inspired to write this novel after viewing the underwater documentary My Octopus Teacher.  The novel focuses on the friendship between an octopus and a seventy year old widow whose eighteen year old son has mysteriously disappeared while on a boat trip decades before. After her husband’s death, Tova takes up night shifts mopping floors and tidying up at the Sowell Bay Aquarium where she becomes acquainted with Marcellus – a curmudgeonly giant Pacific octopus living at the aquarium. The book begins with narration by the octopus, named Marcellus McSquiddles—much to his chagrin, for he is not a squid.  Marcellus complains about his captivity as he approaches the end of his lifespan, and he introduces us to the aquarium and the night shift cleaning woman, Tova.

Like the readers who made the novel a bestseller, our group praised the novel as heartfelt and uplifting. The deft shifting first person narration made us really care about its characters . We appreciated its somewhat improbable but hopeful ending that, in the way of a Victorian novel, ties up all the loose ends. Readers in our group lightly criticized the somewhat ageist stereotypical depiction of Tova who lacks the technical skill we all have as seniors who meet over zoom and are deft with cell phones, computers, and ipads. We cringed a bit at the title of her group of friends, “the knit wits” even though it was based on their initial formation as a knitting group.

 That said, we all agreed we loved the novel anyway. Our favorite character was Marcellus, and the friendship we most admired was that between Tova and Marcellus rather than her group of slightly zany friends. Some of us share Tova’s Scandinavian stoicism, social reticence, and need to be busy, and we admitted that despite our technological skills, we often identified with her. We wondered at first why she took the laborious night job, but then an insightful reader of Scandinavian heritage reminded us of Tova’s desire for privacy and avoidance of gossip, unlike the gossipy owner of  the convenience store, Ethan, whose penchant for news contributes to the plot as much as his fondness for Tova.

I highly recommend this enchanting novel. You will never again see octopus as you do prior to meeting Marcellus. In fact, one of our members admitted she has replaced her original dread of octopuses with a new fascination for their brightness.

Senior Book Chat

The Heaviness of Things That Float (2016)

Jennifer Manuel

This book was difficult to find. We could not find copies in local libraries, but group members managed to obtain copies nevertheless as Carole’s note describes, in a brief anecdote that reminds me of the connections we make by reading together, connections that Bernadette, the protagonist of this novel, longs for:

“Linda and I live just a few minutes’ walk from each other and we’ve shared books for our group before. Usually, I’d finish and pass the book on to Linda, but this time we had a more elaborate arrangement. I found that I had no time to read during the day, so Linda had the book during the day and I had it overnight, since I seem to have quite a bit of awake time during the night these days. Mostly, we left the book for each other, inside my front gate or at Linda’s front door. Sometimes we met up for the exchange. It was fun to check in about where we were in the book and what we thought about what was going on. “

I was unable to access the book in an audio version; I had ordered a copy from a local bookstore, hoping I might be able to read parts with my magnifier, but it had not arrived by the time we met. So my contribution was simply a quote from one of the novel’s reviews I was able to access online. I quoted Carrie Breck’s Blog to open the discussion: “A truly conscientious writer brings first-hand experience, research, and timeless understanding, to a relevant issue.  For this reason Jennifer Manuel’s 2016 debut novel, The Heaviness of Things That Float is well worth talking about.” 

And talk we did, in a rich discussion led by Diane Anderson, who first suggested this book that touches on so many important topics. Diane writes:

There are 4 main themes in the book, as seen through the characters. They are starting over, loss, belonging, and the depiction of the indigenous community. The main character, Bernadette, has worked for 40 years as a nurse and is about to experience the loss of her job and identity: ‘Nobody could wholly know the heart of another, no matter which side of the unbalanced world we live in’ (284).  Bernadette longed to belong to the First Nation community, but the Tawakin people still considered her an outsider.  Her only sibling, her sister has recently died and left her a home on the mainland. She has rejected her former lover, Frank as a partner and has lost Chase Charlie, Frank’s biological child whom she loved. The author insists on people’s dignity and humanity in the face of unflinching sorrows (alcoholism, abuse, poverty, suicide).

The novel contains beautiful prose, describing the reservation as a community  where stories are

like organisms all their own, life upon life, the way moss grows around poplar trunks and barnacles atop crab shells, the way golden chanterelles spring from hemlock needles. They spread in the cove with the kelp and the eelgrass, and in the rainforest with the lichen, the cedars, the swordferns. They pelt down inside raindrops, erode thick slabs of driftwood, puddle the old logging road that these days led to nowhere.

I am sorry I could not read all of this evocative novel, but am lucky to have been introduced to it so well by this group of excellent readers. The novel reminds us that there are many sorts of community, and how important attentive belonging is.